An analysis of childrens sensitivity in the scarlet letter by nathaniel hawthorne
She gave to wretches who were happier than she was and who often insulted the hand that fed them.
Why is the scarlet letter important to american literature
This is the most hideous episode in the story, and well represents the bottomless slough of iniquity which awaits the deliberate choice of evil. Chillingworth has been robbed of his wife. In both texts, Hawthorne argues that all people, even those in strictly religious societies with corrupted standards, are capable of sin. She had in her nature a rich, voluptuous, Oriental characteristic,—a taste for the gorgeously beautiful, which, save in the exquisite productions of her needle, found nothing else, in all the possibilities of her life, to exercise itself upon. Like nature and animals, she is anterior to moral law; but, unlike them, she is human, too. The wand of Prospero, so far from aiding the uninititated, trips him up, and scorches his fingers. From a literal point of view, apart from the countless interpretations, The Sarlet Letter is above all a sensory and mesmerizing experience that captures the reader's imagination. Hawthorne uses nature to convey the mood of a scene, to describe characters, and to link the natural elements with human nature. By rejecting all brutal and obvious methods he gains entrance into a much more sensitive region of torture. The use of incidents in fiction is twofold, — to develop the characters and to keep awake the reader's attention.
Hawthorne weaves an analogy between sewing and writing and especially his type of writing that involves interweaving, in intricacy, motifs and symbols, characters and events of his narrative.
There was some truth in that impression. She grew to have a dread of children; for they had imbibed from their parents a vague idea of something horrible in this dreary woman, gliding silently through the town, with never any companion but one only child.
The affection which she excites, consequently, is immediately perceived to be due neither to her beauty not to her intellectual acuteness; still less to the evil effluence which exhales from these, and is characteristic of them.
This would seem an unconventional and rather venturesome proceeding; for the average mind, in modern English fiction, finds itself under moral obligations to use every precaution, lest the reader fall into some mistake as to the legitimate objects of favor and of reprobation.
Nathaniel Hawthorne was influenced greatly by his childhood, which is what caused him to be an anti-transcendentalist, yet in his novel The Scarlet Letter there was a bridge. Prominently influenced by the Romantics, as this latter, he developed more specially a distinct American Gothic.
The wand of Prospero, so far from aiding the uninititated, trips him up, and scorches his fingers. Hawthorne was marginally associated with Emerson intellectual circle and some transcendentalist Emerson's literary movement based on the oneness with nature and a direct relationship with the divine traces can be found in The Scarlet Letter.
She has not, as yet, what can in strictness be termed a character; she is without experience, and therefore devoid of either good or evil principles; she possesses a nature, and nothing more. When hast thou been so sluggish before now? Her own dress was of the coarsest materials and the most sombre hue; with only that one ornament,—the scarlet letter,—which it was her doom to wear.
Calm her, if you love me!
The scarlet letter analysis
Pacify her, if thou lovest me! Unlike the latter, moreover, it involves no risk; on the contrary, it is enforced by the whole weight of social opinion. But the symbol gave the touch whereby Hawthorne's disconnected thoughts on the subject were united and crystallized in organic form. The man who has never been guilty of actual sin is peculiar rather than fortunate; but in all events he has no cause to pride himself on the immunity, which indicates at best that he has been spared adequate temptation. But it was the constant shadow of my presence, the closest propinquity of the man whom he had most vilely wronged, and who had grown to exist only by this perpetual poison of the direst revenge! Her own dress was of the coarsest materials and the most sombre hue; with only that one ornament,—the scarlet letter,—which it was her doom to wear. In this way the novel could be viewed as a spiritual journey. Such an achievement avouches a lofty reach of art. In the wild, free air of that new world her spirits kindled, and many unsuspected tendencies of her impulsive and passionate nature were revealed to her. No sinner so eccentric but may find here the statement of his personal problem. Chillingworth has been robbed of his wife.
This personal stigma and trauma directly echoes The Scarlet Letter that his heroine Hester Prynne is doomed to wear.
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